Basically you get to look inside his head, instead of reading documents about it. This ties the first and second games together, basically it covers Kidman's whereabouts between games and kinda-sorta covers some of what Anima (the singing soul sucking ghost woman in TEW2) digs up and forces Sebastian to confront (in the game) to get through his trauma from his first visit to the STEM.
Made me wish there were novelizations of the series because I am REALLY hungry for more of this world and these characters.more Overall, this was more focused and relatable to the cannon of the franchise than the previous comic. The art is good and I really liked how every time Sebastian went into a "dream state" the art style changed to thinner characters and hard edges really neat design choice. But if that's the case when did Sebastian wake up and escape STEM before Mobius retrieved their machine and sent in Pedro Martin? I'm still confused at how this fits into the second game. So.this interlude might work if Sebastian was still in STEM at the end of the first game BEFORE the Executioner DLC.
This is proven at the end of the second game when Kidman helps Sebastian wake up and save Lily. But at the beginning of the second game it's made apparent that Sebastian willingly reenters STEM under the guidance of Kidman and her boss. At the end of the first game, it's questionable if Sebastian really did escape STEM or not. With how the second game begins, I don't really understand where this story fits. But things aren't what they seem and Sebastian has to face the chaos once again.
It follows Sebastian Castellanos as he supposedly escaped Beacon Hospital and is put on the case of a nursery rhyme serial killer. This comic is-as it says-an interlude between the first game and the second game. Unlike the previous comic for the first game, this one actually felt like part of the series and not someone's take on an adaptation of the game.
With how the second game begins, I don't This was alright. The Evil Within 2 trailer set the tone for the game, which featured a melancholy cover version of Duran Duran's classic song "Ordinary World" by The Hit House.This was alright. It featured a more emotional story too, with Sebastian returning to STEM to rescue his presumed dead daughter. The sequel would refine and expand upon what worked in its predecessor and overall made for a tighter experience. Mikami would take a step back for a supervising role on 2017's The Evil Within 2, which was instead directed by John Johanas.
Related: Resident Evil 2's Special Weapons Case: How To Open It & What's Inside That said, it was something of a breath of fresh air for those looking for a sturdy horror challenge. The final game was something of a mixed bag, with gameplay and design elements that never fully gel. The plot found Detective Sebastian Castellanos (Anson Mount, Star Trek: Discovery) sucked in a virtual world dubbed STEM, which is home to a number of nightmarish creatures. Shinji Mikami would return to the survival horror fold with 2014's The Evil Within, which employed traditional gameplay elements found in old school survival horror games, including limited ammo and puzzle solving. The latter entry would put more emphasis on action and setpieces than building suspense or dread, however, which led to both the Resident Evil franchise and other titles like Dead Space becoming increasingly action focused.
He would produce and direct several further entries in the series, including taking the helm for 2005's Resident Evil 4. What classic song is featured in the trailer for The Evil Within 2? Shinji Mikami is a legend in the survival horror video game genre, having directed the original Resident Evil in 1996.